In writing about her new work, Adams says: “Though the paintings could be viewed as a puzzle, I’d rather think of them as a collection of elements that foster our ability to trust a sense of place in the world while they encourage us to question reality. I’m not interested in beauty or non-beauty, hence the title Paradise Notwithstanding. I’m interested in the complexity that won’t allow me to define what I’m looking at, and to establish a narrative; a narrative that’s shy and hidden from view and with time unpacks itself. In my paradise, I see too much. I’m aware of the past, present and future all at once. I can see underneath and behind solid objects. It’s a skill not unique to me but one that most do not care to employ because it’s too demanding and too isolating. Then what’s the attraction? I have to think that it’s a full display of life on life’s terms. It’s all the undesirable stuff and all the great stuff mixed up together. It’s not a visual world of our choosing per se but rather one that we’ve been dealt.”
Lisa Adams is a painter and public artist with more than 30 years of continuous studio practice, and has a B.A. from Scripps College and an M.F.A. from the Claremont Graduate University. She has exhibited nationally and internationally and has been an artist-in-resident in Slovenia, Finland, Holland, Japan and Costa Rica. Her many accomplishments include a Fulbright Professional Scholar Award, and her work is in the public collections of Eli Broad, the San Jose Museum of Art, the Frederick R. Weisman Museum of Art, the Laguna Museum of Art and the Edward Albee Foundation. Lisa’s first monograph book, Vicissitude of Circumstance, published by ZERO+ Publishing was released in Fall 2011. She currently blogs on Los Angeles art for the Huffington Post.
No comments:
Post a Comment